from the Baryshnikov Arts Center workshop of "so go the ghosts of mexico, part two," featuring Blanca Camacho as Jefe and Heather Velazquez as El Azul - click image to view video
UP NEXT...
so go the ghosts of mexico, part one
in a Spanish translation by
Bernardo Cubria
October 27 at 5pm
Semana Internacional
de la Dramaturgia Contemporánea 2017
Tijuana, Mexico
Plus a panel discussion
"Dramatic Tales as Referent of Indentity Conflict"
with Matthew Paul Olmos,
Ángel Norzagaray
and Luis Mario Moncada.
***
THANK YOU!
Undermain Theatre
for their wonderful production of
so go the ghosts of mexico, part two
in Dallas, TX
CHECK OUT THE PRESS!
Howl Round article
Dallas News review
International Theatre Review review
Theater Jones review
D Magazine review/interview
Sharp Critic review
a nice feature from the
Dallas Observer, click here
an in'dept interview with
David Lozano, click here
***
IN DEVELOPMENT...
the broken'hearts
of a corrupted white house
a look at Dorothy and E. Howard Hunt
in their treatment from the
Nixon White House amidst Watergate.
Developed through Echo Theater Lab and The Lark
* * *
WATCH: a behind the scenes video of
so go the ghosts of mexico, part two
from Baryshnikov Arts Center's
Resident Artist program...
From our residency
directed by Lee Sunday Evans
original music composed by Marios Aristopoulos
featuring Blanca Camacho, Flora Diaz, Annie Dow, Socorro Santiago, Heather Velazquez
musician Babak Khodabandeh
LISTEN:
CLICK HERE TO HEAR SONG EXCERPTS
from so go the ghosts of mexico, part two
* * *
My lost (now recovered) essay on Mabou Mines/SUITE Resident Artist Program,
with an epilogue in rememberance of Ruth Maleczech
http://newyorktheatrereview.blogspot.com/2013/10/
the-feeding-process-of-mabou-mines-by.html
